Beginnings, middles, and ends
by Nancy Kress
- openings (rhetoric)
- technique
- closure (rhetoric)
- creative writing
- authorship
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Get your stories off to a roaring start. Keep them tight and crisp throughout. Conclude them with a wallop.
Is the story or novel you've been carrying around in your head the same one you see on the page? Or does the dialogue suddenly sound flat and predictable? Do the events seem to ramble?
Translating a flash of inspiration into a compelling story requires careful crafting. The words you choose, how you describe characters, and the way you orchestrate conflict all make the difference—the difference between a story that is slow to begin, flounders midway, or trails off at the end—and one that holds the interest of readers and editors to the final page.
By demonstrating effective solutions for potential problems at each stage of your story, Nancy Kress will help you...
hook the editor on the first three paragraphs make—and keep—your story's "implicit promise" build drama and credibility by controlling your prose Dozens of exercises help you strengthen your short story or novel. Plus, you'll sharpen skills and gain new insight into...
the price a writer pays for flashbacks six ways characters should "reveal" themselves techniques for writing—and rewriting Let this working resource be your guide to successful stories—from beginning to end.
About the Author
Although she began by writing fantasy, Nancy Kress currently writes science fiction, most usually about genetic engineering. She teaches regularly at summer conferences such as Clarion, and during the year at the Bethesda Writing Center in Bethesda, Maryland. In addition, she is the "Fiction" columnist for Writer's Digest magazine. She has won two Nebulas and a Hugo, and lost over a dozen more of these awards. Her work has been translated into Swedish, French, Italian, German, Spanish, began by writing fantasy, among others.
Quotes by Nancy Kress
From WikiquoteI would spend whole weeks trying to untangle the lush foliage of bribes, kickbacks, nepotism, pride, religion, and mañana that is business in South America.
The real thing—that’s not what you want in the theater. Illusion, magic, imagination. What should have happened, not what did. Reality doesn’t make good theater.
Serious thinkers pointed out that humankind was scarcely ready to colonize the stars, having solved none of its problems at home.
More by Nancy Kress
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War and Space: Recent CombatNancy KressWar and Space: Recent CombatNancy Kress
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Beaker's dozenNancy KressBeaker's dozenNancy Kress
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BrainroseNancy KressBrainroseNancy Kress
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CrossfireNancy KressCrossfireNancy Kress
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Eleventh GateNancy KressEleventh GateNancy Kress
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An Alien LightNancy KressAn Alien LightNancy Kress
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Beggars & choosersNancy KressBeggars & choosersNancy Kress
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Beggars in SpainNancy KressBeggars in SpainNancy Kress
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Beggars rideNancy KressBeggars rideNancy Kress
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ObserverRobert LanzaObserverRobert Lanza
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Dangerous Women2013Dangerous Women
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Wastelands--Stories of the Apocalypse2008Wastelands--Stories of the Apocalypse
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Isaac Asimov's Masters of Science Fiction1978Isaac Asimov's Masters of Science Fiction
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Galaxy's Edge Magazine2020Galaxy's Edge Magazine
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Wastelands 22013Wastelands 2
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Year's Best SF 92004Year's Best SF 9
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