Kindred
by Octavia E. Butler, Damian Duffy, John Jennings
- slaves
- time travel
- comic books
- strips
- comics & graphic novels
- science fiction
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Now a FX/Hulu Original Series from Branden Jacobs-Jenkins and Darren Aronofsky and starring Mallori Johnson and Micah Stock #1 New York Times Bestseller Winner of the 2018 Eisner Award for Best Adaptation from Another Medium
Octavia E. Butler’s bestselling literary science-fiction masterpiece, Kindred, now in graphic novel format. More than 35 years after its release, Kindred continues to draw in new readers with its deep exploration of the violence and loss of humanity caused by slavery in the United States, and its complex and lasting impact on the present day. Adapted by celebrated academics and comics artists Damian Duffy and John Jennings, this graphic novel powerfully renders Butler’s mysterious and moving story, which spans racial and gender divides in the antebellum South through the 20th century. Butler’s most celebrated, critically acclaimed work tells the story of Dana, a young black woman who is suddenly and inexplicably transported from her home in 1970s California to the pre–Civil War South. As she time-travels between worlds, one in which she is a free woman and one where she is part of her own complicated familial history on a southern plantation, she becomes frighteningly entangled in the lives of Rufus, a conflicted white slaveholder and one of Dana’s own ancestors, and the many people who are enslaved by him. Held up as an essential work in feminist, science-fiction, and fantasy genres, as well as a cornerstone of the Afrofuturism movement, the intersectionality of race, history, and the treatment of women addressed in the book still remain critical topics in contemporary dialogue, both in the classroom and in the public sphere. Frightening, compelling, and richly imagined, Kindred offers an unflinching look at our complicated social history, transformed by the graphic novel format into a visually stunning work for a new generation of readers.
Quotes
From WikiquoteI lost an arm on my last trip home. My left arm. (beginning of Prologue)
Margaret Weylin complained because she couldn’t find anything to complain about.
There was no shame in raping a black woman, but there could be shame in loving one. (p124)
“He’s a fair man.” I looked at him, startled. “I said fair,” he repeated. “Not likable.” I kept quiet. His father wasn’t the monster he could have been with the power he held over his slaves. He wasn’t a monster at all. Just an ordinary man who sometimes did the monstrous things his society said were legal and proper.
More by Octavia E. Butler
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Year's Best SF 9Octavia E. ButlerYear's Best SF 9Octavia E. Butler
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Bloodchild and other storiesOctavia E. ButlerBloodchild and other storiesOctavia E. Butler
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Lilith’s BroodOctavia E. ButlerLilith’s BroodOctavia E. Butler
-
Parable of the Sower1993Parable of the Sower
-
Adulthood Rites1988Adulthood Rites
-
Parable of the Talents1998Parable of the Talents
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Dawn1987Dawn
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Fledgling2005Fledgling
-
Wild seed1980Wild seed
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Imago1989Imago
-
Mind of my mind1977Mind of my mind
-
Clay's ark1984Clay's ark
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Patternmaster1976Patternmaster
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Xenogenesis1987Xenogenesis
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Wastelands--Stories of the Apocalypse2008Wastelands--Stories of the Apocalypse
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Survivor1978Survivor
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