Neverwhere
by Neil Gaiman
- underground areas
- underground homeless persons
- businessmen
- subways
- fantasy fiction
- fantasy
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“Neil Gaiman is undoubtedly one of the modern masters of fantasy writing....For those who have not read Neverwhere, the new edition is the one to read, and is a fitting introduction to Gaiman’s adult fiction....American readers can experience this spellbinding, magical world the way that Neil Gaiman wanted us to all along.” —Huffington Post
The #1 New York Times bestselling author’s ultimate edition of his wildly successful first novel featuring his “preferred text”—and including his special Neverwhere tale, “How the Marquis Got His Coat Back”.
Published in 1997, Neil Gaiman’s darkly hypnotic first novel, Neverwhere, heralded the arrival of a major talent and became a touchstone of urban fantasy.
It is the story of Richard Mayhew, a young London businessman with a good heart and an ordinary life, which is changed forever when he discovers a girl bleeding on the sidewalk. He stops to help her—an act of kindness that plunges him into a world he never dreamed existed. Slipping through the cracks of reality, Richard lands in Neverwhere—a London of shadows and darkness, monsters and saints, murderers and angels that exists entirely in a subterranean labyrinth. Neverwhere is home to Door, the mysterious girl Richard helped in the London Above. Here in Neverwhere, Door is a powerful noblewoman who has vowed to find the evil agent of her family’s slaughter and thwart the destruction of this strange underworld kingdom. If Richard is ever to return to his former life and home, he must join Lady Door’s quest to save her world—and may well die trying.
Quotes
From Wikiquote“You’ve a good heart,” she told him. “Sometimes that’s enough to see you safe wherever you go.” Then she shook her head. “But mostly, it’s not.”
Unimpressed was his default state.
“I have always felt,” he said, “that violence was the last refuge of the incompetent, and empty threats the final sanctuary of the terminally inept.”
He had gone beyond the world of metaphor and simile into the place of things that are, and it was changing him.
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