The Cave
by José Saramago, Margaret Jull Costa
- widowers
- potters
- totalitarianism in fiction
- widowers in fiction
- potters in fiction
- totalitarianism
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An unassuming family struggles to keep up with the ruthless pace of progress in "a genuinely brilliant novel" from a Nobel Prize winner (Chicago Tribune).
A Los Angeles Times Best Book of the Year and a New York Times Notable Book
Cipriano Algor, an elderly potter, lives with his daughter Marta and her husband Marçal in a small village on the outskirts of The Center, an imposing complex of shops, apartments, and offices. Marçal works there as a security guard, and Cipriano drives him to work each day before delivering his own humble pots and jugs. On one such trip, he is told not to make any more deliveries. People prefer plastic, apparently.
Unwilling to give up his craft, Cipriano tries his hand at making ceramic dolls. Astonishingly, The Center places an order for hundreds, and Cipriano and Marta set to work—until the order is cancelled and the penniless trio must move from the village into The Center. When mysterious sounds of digging emerge from beneath their new apartment, Cipriano and Marçal investigate; what they find transforms the family's life, in a novel that is both "irrepressibly funny" (The Christian Science Monitor) and a "triumph" (The Washington Post Book World).
"The struggle of the individual against bureaucracy and anonymity is one of the great subjects of modern literature, and Saramago is often matched with Kafka as one of its premier exponents. Apt as the comparison is, it doesn't convey the warmth and rueful human dimension of novels like Blindness and All the Names. Those qualities are particularly evident in his latest brilliant, dark allegory, which links the encroaching sterility of modern life to the parable of Plato's cave . . . [a] remarkably generous and eloquent novel." —Publishers Weekly
Translated from the Portuguese by Margaret Jull Costa
Quotes
From WikiquoteNem a juventude sabe o que pode nem a velhice pode o que sabe.
Destiny isn’t taken in by people trying to make what came first come afterwards.
Even the strongest spirits have the moments of irresistible weakness,
We would know far more about life’s complexities if we applied ourselves to the close study of its contradictions instead of wasting so much time on similarities and connections, which should anyway, be self-explanatory.
More by José Saramago
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Memoriaal van een kloosterJosé SaramagoMemoriaal van een kloosterJosé Saramago
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Opgestaan van de grondJosé SaramagoOpgestaan van de grondJosé Saramago
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De stad der blinden & De stad der ziendenJosé SaramagoDe stad der blinden & De stad der ziendenJosé Saramago
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SeeingJosé SaramagoSeeingJosé Saramago
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BlindnessJosé SaramagoBlindnessJosé Saramago
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BovenlichtJosé SaramagoBovenlichtJosé Saramago
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De man in duploJosé SaramagoDe man in duploJosé Saramago
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All the NamesJosé SaramagoAll the NamesJosé Saramago
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De stad der blindenJosé SaramagoDe stad der blindenJosé Saramago
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De stad der ziendenJosé SaramagoDe stad der ziendenJosé Saramago
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Kleine herinneringenJosé SaramagoKleine herinneringenJosé Saramago
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Het stenen vlotJosé SaramagoHet stenen vlotJosé Saramago
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The Gospel According to Jesus ChristJosé SaramagoThe Gospel According to Jesus ChristJosé Saramago
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The NotebookJosé SaramagoThe NotebookJosé Saramago
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Ensaio Sobre a Cegueira1995Ensaio Sobre a Cegueira
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Todos os nomes1997Todos os nomes
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