Where the line bleeds
by Jesmyn Ward
- twins
- brothers
- roman
- amerikanisches englisch
- family life
- african americans
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The first novel from National Book Award winner and author of Sing, Unburied, Sing Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflict—“a lyrical yet clear-eyed portrait of a rural South and an African American reality that are rarely depicted” (The Boston Globe).
Where the Line Bleeds is Jesmyn Ward’s gorgeous first novel and the first of three novels set in Bois Sauvage—followed by Salvage the Bones and Sing, Unburied, Sing—comprising a loose trilogy about small town sourthern family life. Described as “starkly beautiful” (Publishers Weekly, starred review), “fearless” (Essence), and “emotionally honest” (The Dallas Morning News), it was a finalist for the Hurston/Wright Legacy Award and the Virginia Commonwealth University Cabell First Novelist Award.
Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in rural Bois Sauvage, on Mississippi’s Gulf Coast. They’ve just finished high school and need to find jobs, but after Katrina, it’s not easy. Joshua gets work on the docks, but Christophe’s not so lucky and starts to sell drugs. Christophe’s downward spiral is accelerated first by crack, then by the reappearance of the twins’ parents: Cille, who left for a better job, and Sandman, a dangerous addict. Sandman taunts Christophe, eventually provoking a shocking confrontation that will ultimately damn or save both twins.
Where the Line Bleeds takes place over the course of a single, life-changing summer. It is a delicate and closely observed portrait of fraternal love and strife, of the relentless grind of poverty, of the toll of addiction on a family, and of the bonds that can sustain or torment us. Bois Sauvage, based on Ward’s own hometown, is a character in its own right, as stiflingly hot and as rich with history as it is bereft of opportunity. Ward’s “lushly descriptive prose…and her prodigious talent and fearless portrayal of a world too often overlooked” (Essence) make this novel an essential addition to her incredible body of work.
Quotes by Jesmyn Ward
From WikiquoteThe reason that I like to use classical myths as models is because African American writers and African American stories are usually understood as occurring in some kind of vacuum — because of slavery.
Place is important to my writing; I believe that if a reader gets a clear picture of the place where a character is from, then they can understand what motivates the character, what limits him or her…
But what mires me in pessimism is the fact that so much of life is pain and sorrow and willful ignorance and violence, and pushing back against that tide takes so much effort, so much steady fight. It’s tiring.
More by Jesmyn Ward
All books-
The Best American Short Stories 2021Jesmyn WardThe Best American Short Stories 2021Jesmyn Ward
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Söyle Hayalet Sarkini SöyleJesmyn WardSöyle Hayalet Sarkini SöyleJesmyn Ward
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The Fire This TimeJesmyn WardThe Fire This TimeJesmyn Ward
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Navigate Your StarsJesmyn WardNavigate Your StarsJesmyn Ward
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Salvage the BonesJesmyn WardSalvage the BonesJesmyn Ward
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Esta vez el fuegoJesmyn WardEsta vez el fuegoJesmyn Ward
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Men We ReapedJesmyn WardMen We ReapedJesmyn Ward
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Let Us DescendJesmyn WardLet Us DescendJesmyn Ward
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Vor dem SturmJesmyn WardVor dem SturmJesmyn Ward
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Sing, Unburied, SingJesmyn WardSing, Unburied, SingJesmyn Ward
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Kasırga TutulmasıJesmyn WardKasırga TutulmasıJesmyn Ward
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Canteu, esperits, canteuJesmyn WardCanteu, esperits, canteuJesmyn Ward
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Jonah's gourd vineZora Neale HurstonJonah's gourd vineZora Neale Hurston
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Dust tracks on a roadZora Neale HurstonDust tracks on a roadZora Neale Hurston
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