Men We Reaped
by Jesmyn Ward
- african american men
- african american women authors
- rural poor
- biography
- african american authors
- african americans
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Named one of the Best Books of the Century by New York Magazine
Two-time National Book Award winner Jesmyn Ward (Salvage the Bones, Sing, Unburied, Sing) contends with the deaths of five young men dear to her, and the risk of being a black man in the rural South.
"We saw the lightning and that was the guns; and then we heard the thunder and that was the big guns; and then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped." -Harriet Tubman
In five years, Jesmyn Ward lost five young men in her life-to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write about the experience of living through all the dying, she realized the truth-and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own.
Jesmyn grew up in poverty in rural Mississippi. She writes powerfully about the pressures this brings, on the men who can do no right and the women who stand in for family in a society where the men are often absent. She bravely tells her story, revisiting the agonizing losses of her only brother and her friends. As the sole member of her family to leave home and pursue higher education, she writes about this parallel American universe with the objectivity distance provides and the intimacy of utter familiarity. A brutal world rendered beautifully, Jesmyn Ward's memoir will sit comfortably alongside Edwidge Danticat's Brother, I'm Dying, Tobias Wolff's This Boy's Life, and Maya Angelou's I Know Why the Caged Bird Sings.
Quotes by Jesmyn Ward
From WikiquoteThe reason that I like to use classical myths as models is because African American writers and African American stories are usually understood as occurring in some kind of vacuum — because of slavery.
Place is important to my writing; I believe that if a reader gets a clear picture of the place where a character is from, then they can understand what motivates the character, what limits him or her…
But what mires me in pessimism is the fact that so much of life is pain and sorrow and willful ignorance and violence, and pushing back against that tide takes so much effort, so much steady fight. It’s tiring.
More by Jesmyn Ward
All books-
The Best American Short Stories 2021Jesmyn WardThe Best American Short Stories 2021Jesmyn Ward
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Söyle Hayalet Sarkini SöyleJesmyn WardSöyle Hayalet Sarkini SöyleJesmyn Ward
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The Fire This TimeJesmyn WardThe Fire This TimeJesmyn Ward
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Navigate Your StarsJesmyn WardNavigate Your StarsJesmyn Ward
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Salvage the BonesJesmyn WardSalvage the BonesJesmyn Ward
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Esta vez el fuegoJesmyn WardEsta vez el fuegoJesmyn Ward
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Let Us DescendJesmyn WardLet Us DescendJesmyn Ward
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Vor dem SturmJesmyn WardVor dem SturmJesmyn Ward
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Sing, Unburied, SingJesmyn WardSing, Unburied, SingJesmyn Ward
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Kasırga TutulmasıJesmyn WardKasırga TutulmasıJesmyn Ward
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Where the line bleedsJesmyn WardWhere the line bleedsJesmyn Ward
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Canteu, esperits, canteuJesmyn WardCanteu, esperits, canteuJesmyn Ward
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Jonah's gourd vineZora Neale HurstonJonah's gourd vineZora Neale Hurston
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Dust tracks on a roadZora Neale HurstonDust tracks on a roadZora Neale Hurston
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